(technically, the pot does exactly the same whether it is a stereo track or mono track, it is simply a pot that progressively turns down the volume of the side you're turning it away from). how loud is the right side of the signal as opposed to the left side. On a stereo track, a pan pot works as a BALANCE CONTROL - i.e.
On a mono track, a pan pot works as a pan pot - panorama, moving the track across the stereo field from left to right etc etc. Actually, some useful information about (most) pan pots: This means that I, during playback, can pan it from there to wherever I want - left, right, center, whatever. So I engage the "mono" button, which then makes the signal after that internal pan pot MONO. Or any blend, but that's rarely interesting! So turning the pan knob INSIDE THE PLUGIN all the way to the right, I now have only the right side playing - that is: only the amped signal (unlike the picture, where it was setup for reamping, and thus turned to the other side - the principle is exactly the same).Ĥ) that gain plugin pan/balance setting means that I have the "amp" signal playing in the right side only. Inside this, there is the pan knob, which allows me to hear only the right side of the recorded track (the amped side) or the left side (the DI part of the track). (here I am talking in general, before any reamping)ģ) I achieve this by putting a gain plugin first in the chain. But of course you want to be able to pan it in the mix. I use SPDIF, but the general process should be the same.ġ) Let's assume that you record like me, which is to a stereo track, where the DI signal is on the left, and the "amp" signal is on the right.Ģ) In order to hear the amped signal only while playing back, you need to hear only the right side of that stereo track. I assume that you know how you get kemper to pick up the signal, and your question is only on the computer/DAW/interface side of things. The pictures that go along with the explanation: It's not perfect at the moment, so this is a starting point for refinement. What I hope you guys will do is to read it and tell me what is unclear (referring to specific points, please!). I want everyone to be able to read it, and plan to put it in my signature for easy answering of questions, so I'll include it here.
I know this has been a source of frustration for many users, so I ended up writing a novel, where I tried to explain in detail and in a what I hoped was a fairly understandable language. I have to say - I would love to get this all worked out because when that saffire hardware is running it is AWESOME.I had some PM conversation with recently where he asked for help setting up reamping in mixcontrol. But at least I can open and run any project at any setting for now. reopen Saffire (it is now set to 96kz by default) and then I can open my PT comp. At that point PT crashes but in the process of trying to open the Saffire mix control self sets to 96kz by its self. If I want to open a PT comp that was recorded in 96kz I have to set the Saffire Mix control to 48kz (the wrong KZ on purpose) I will then open PT and try to open my project. Second I went in to sound properties and set the Saffire to 2 chan, 24 bit, 96kz. This is not a problem for me as this comp is only used for PT 10. Let me share my temporary workaround for now just in case it helps others:įirst off I disabled ALL other sound devices. I would much rather have the real solution, but for now at least I can get PT running as well as open and run my old projects.Ĭreating, saving, and reopening new projects isn't much of a hassle. In the mean time I have discovered a work-around.
0 kommentar(er)
